Veronese: Master of colour and structure.
KAWS @ NGV from the ephemeral to the ephemeral and back.
The pristine and enigmatic sexual imagery of Patrina Hick
Two views of female sexuality: David Hamilton’s Nymphettes and Norman Lindsay’s Amazons
Getting a mythological leg-over: Visual metaphor in Renaissance art.
American Gothic comes to the Waitakeres
Should Architecture honour the landscape?
J M W Turner’s The Fighting Temeraire
Vouet: The fortuneteller, what goes around, comes around
Simon Vouet: Allegorical paintings and the depiction of women.
Simon Vouet: portraits of self and others
Ways of looking at a painting (ii)
Eternal triangles: Mars and Venus surprised by Vulcan
Sex, male power and the Judgement of Paris.
Ways of looking at a painting (i)
Winslow Homer and the American Maritime Epic
Edward Hopper’s Nighthawks: the journey of the Woman in Red
Edward Hopper: Couples at Crossroads
“All the world’s a stage”: Edward Hopper’s Theatre of painting
Line and structure in Edward Hopper’s Yachts
Sunlight and structure: Hopper’s Sun Watchers
Edward Hopper: Trains and boats and cars
Edward Hopper – “Lighthouse at Two Lights”
Edward Hopper: Urban Spaces, Interior Landscapes
Hopper’s Sunlight Paintings: Ideal Forms and Shadows
Edward Hopper: Shapes and Landscapes
Edward Hopper: the Sunlight pictures (i)
Edward Hopper’s search for ideal forms
Edward Hopper: travellers going nowhere
Sex and power: the sexual predator in art
Reviews of Bendigo Art Gallery Exhibition Genius and Ambition
Betty Churcher’s wonderful Australian Notebooks
Margaret Olley: the interior artist
The naked and the nude: Tintoretto’s Susanna and the Elders
Susannah: from biblical heroine to pop pornstar
The moral ambiguity of Alessandro Allori’s Susanna and the Elders
Sex and power: the sexual predator in art
Giovanni Francesco Barbieri (Guercino): Raising of Lazarus
Two war paintings by Arthur Streeton
Cartier-Bresson: Self-portrait and compositional descant
Cartier-Bresson and the ferryman of the Rhine
Cartier-Bresson: photographic composition and structure (i)
Henri Cartier–Bresson and the art of juxtaposition
Henri Cartier-Bresson: Photos of children (i)
Sex, male power and the Judgement of Paris.
Was Charles Lutwidge Dodgson (Lewis Carroll) a paedophile, a pornographer, or both ?
Nipples on Facebook: what you can and can’t do
MONA: The Museum of Old and New Art in Hobart
Henri Cartier-Bresson: Brie, France
Renaissance influences on Tom Roberts’ Shearing the Rams